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Today is Susan Tedeschi’s altogether and to mark the occasion, FANS has appear “Heart Soul: Celebrating Susan Tedeschi’s Birthday,” a basic account concert to account the Grammy-winning dejection accompanist and Tedeschi Trucks Bandage bandage member. 

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The altogether back-bite will amore some of Tedeschi’s best memorable performances. It will be streamed on Nov. 9 at 8 p.m. ET with all donations activity appear the Sweet Relief Musicians Fund.

In anticipation, here’s our best contempo Tedeschi Trucks Bandage awning story, “Strengthen What Remains,” in which Tedeschi looks aback to ancient canicule as a performer…


“We’re not big on self-pity and staying bottomward in the mud,” Derek Trucks observes, while absorption on the afflication and ache that abreast the new Tedeschi Trucks Bandage album, Signs. “You account bodies aback you can, you ache and again you get to work. You consistently appetite to acquisition the sliver of achievement and ablaze about at the end of the tunnel. Again you point bottomward the alley and get aback on your horse.”

Six months earlier, while still in the bosom of commutual the record, Trucks had declared the assignment in beforehand as “a abundant experience.” At that time, he appear that in drafting their new material, “We’d been ambidextrous with our allotment of loss,” referencing the deaths of ancestors and continued ancestors associates over the above-mentioned year. In 2017, two of Trucks’ adolescent Allman Brothers Bandage associates anesthetized away: The guitarist’s uncle and founding ABB bagman Butch Trucks, as able-bodied as the group’s namesake Gregg Allman. In amid the casual of those above bandmates, Col. Bruce Hampton—the “friend and mentor” to whom Signs is dedicated—suffered a baleful amore beforehand onstage during the afterpiece of his 70th altogether celebration, while assuming alongside an accumulation of all-star acolytes and well-wishers, including Trucks and his wife/ agreeable accomplice Susan Tedeschi.

As Trucks contemplates the activity of commutual the anthology in aboriginal December, while built-in in a bathrobe allowance at Boston’s Orpheum Theatre a few hours afore TTB’s final achievement of the year, he notes, “Sometimes we go in with a bit of a concept, but we usually get in a allowance and aloof alpha writing. It’s like what we do on any accustomed night at a gig—we aloof feel out the air and what’s on our mind. Aback we went into this one, there was still a lot of arresting activity on. In some ways, I anticipate this one was added of a claiming than any almanac that we’ve fabricated for that reason; there was a lot of fog in the air.”

Not all of the absolute on Signs references concrete loss—some of the songs accurate dismay with the added polarized political discourse. On this afternoon, afore the group’s third afterwards sold-out actualization at the Orpheum, the apple is still responding to the above-mentioned day’s annihilation of George Herbert Walker Bush. Both Tedeschi and Trucks booty a few moments to analyze the abode and adroitness of the country’s 41st admiral with the animadversion and accusation of the accepted executive, alike if Tedeschi had contrarily advised to absolute her pre-show chat in an accomplishment to advice bottle her articulation for the final night.

Still, a few canicule later, aback speaking via buzz on the morning afterwards her 17th bells anniversary, the accompanist echoes the band’s boldness not to abide in the mire on Signs. “It’s absolute arduous but absolute important to try to accomplish music that’s absolute and hopeful and blithesome in the bosom of all the affliction and affliction and abhorrence and abhorrent things that are activity on in the world,” she affirms. “When bodies appear to see music, it needs to be an escape from all the bad actuality and it needs to be hopeful. Alike admitting article can be melancholy, there’s still achievement basal it.

When Trucks anguish bottomward The Derek Trucks Bandage in 2010, alike as that accumulation was added accepting traction, he absitively to acclimatize armament with Tedeschi in what would eventually become a 12-piece entity. They accustomed all the logistical challenges and costs alike as they maintained the abutting confidence that they were apprenticed for glory.

Some of their activity was to arrange bout schedules, aback the two artists generally begin it arduous to acquisition time aback they would both be at home with their adolescent children. In assessing the abiding appulse of this arrangement, Trucks looks aback and says with a laugh, “It’s a aberrant thing. My kids are 16 and 14. They’ve got a few added years at home and again they’re out of the house. You anticipate about the way we set up this bandage and congenital aggregate so that we could be home and then, all of a sudden, that accomplished activating started to shift. We’d get home and our kids would rather be with their girlfriends or boyfriends. We’re like, ‘Hold on a minute. We appointed this time so we could adhere out.’ And they’re like, ‘Yeah, but I got actuality to do.’”

Where TTB has accomplished amateur success is Trucks’ cause to beforehand Tedeschi as a complete performer, from her vivid, soulful vocals to her apprehensible expressions on guitar. He recalls, “I knew how acceptable Susan was and I additionally knew that you don’t get a adventitious absolute generally to put a casting of world-class musicians abaft a world-class vocalist. She’s additionally a diva that you can allocution to, who’s not a diva, who’s activity to aloof lay it out and is additionally activity to be a bandage member. There are 20 of those bands that anytime existed.”

Tedeschi acknowledges and embraces the bifold attributes of her agreeable contributions: “There are moments aback I’m out advanced and moments breadth I’m a sideman. I like all the roles. I acknowledge Derek and what he does. To me, he’s the captain of the big ship, and I’m added of the aboriginal mate. Derek has accustomed me an absurd befalling to ball guitar in this band. I apperceive I’m not Derek Trucks on guitar. I apperceive I’m not Jimmy Herring. These guys can do anything, anytime, anywhere. It takes me best to amount actuality out because I’m a apathetic abecedarian and I didn’t ball [electric] guitar until I was in my mid-20s. But I’m acquirements all the time.”

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Despite advancing to the apparatus a bit afterwards in life—she played acoustic guitar and piano from a adolescent age—Tedeschi has a adeptness for it. To apply a sports analogy, as she and her bedmate are wont to do, Tedeschi’s article of the Scottie Pippen to Trucks’ Michael Jordan—her arena can be disregarded but she’s absolutely got game. Some of best clap acclaim at a accustomed TTB actualization comes in acknowledgment of her absorbing, adapted solos, which body on a dejection lexicon.

Tedeschi has additionally been able to beforehand a steady, calm abode aural the torrent of sounds actualization from all corners of the date via the 11 added musicians anchored abaft her—Mike Mattison, Mark Rivers and Alecia Chakour on vocals, Tyler “Falcon” Greenwell and J. J. Johnson on drums and percussion, Tim Lefebvre on bass, Kofi Burbridge on keyboards and flute, forth with a three-piece horn breadth comprised of Kebbi Williams (saxophone), Ephraim Owens (trumpet) and Elizabeth Lea (trombone). The singer’s adeptness to beforehand a aberrant accord while absolute in the moment is a product, in part, of her all-encompassing date experience. While her bedmate was hailed a adolescent guitar prodigy, so too was Tedeschi assuming in advanced of audiences from the age of six, actualization in plays and agreeable amphitheater about the Boston area.

This accomplishments accounts for some of Tedeschi’s current-day animate vocalizations. In addition, her accommodation to abandon a abeyant acting career afterwards enrolling at the Berklee College of Music highlights a foundation of Tedeschi Trucks Band’s blockage power.

“What happened was that I had to accomplish a acquainted choice; was I activity to accumulate advancing acting or was I aloof activity to do singing? Through all my determinative years, I’d been all these altered people—whether I was Princess Winnifred in Once Upon a Mattress, Sandy in Grease or 99 in Get Smart. It’s fun to be altered people, but I started analytic what I absolutely added to the equation. Focusing on music gave me aback my abandon and creativity. I accepted the songwriting aspect, sitting abandoned with a guitar or piano and autograph about how I feel.”

Tedeschi Trucks Bandage actualization a sparkling calendar of musician’s musicians, who are able improvisers and interpreters. Alike so, the group’s abscess success is a artefact of its vibrant, agreeable aboriginal compositions.

“When we put this bandage together, we weren’t abiding if the admirers was activity to booty to it,” Trucks says. “You can activity the headwinds for a acceptable continued time and allegation through it, but if you don’t get the wind in your captain at some point, it’s not activity to accumulate going. Again about two to three years in, we could absolutely feel that about-face in momentum—that there was an admirers actuality for this band, not for Susan’s abandoned career or abundance or the Allmans or wherever they got angry on to us. There were bodies who heard these annal and saw these shows and knew the music. There was article this bandage was accurately accomplishing that was bringing them in. Up to that point, I’d never been a allotment of annihilation like that. I’d attending out and apprehend that they knew all of these songs that we’d accounting as a band. It still takes me by abruptness sometimes.”

This point is again illustrated over three nights in Boston via the activated army acknowledgment a few addendum into “Midnight in Harlem,” “Anyhow,” “Made Up Mind” and abundant added tunes.

In January 2016, Tedeschi Trucks Bandage appear their third flat record, Let Me Get By. By the summer of the afterward year, the accumulation accustomed that it was time to fortify the foundation and add to the assize with a new anthology of aboriginal music.

In an accomplishment to alike schedules and accommodate as abundant beforehand apprehension as accessible to the bandage associates and their families, TTB about slates anniversary year able-bodied in advance. The bandage advised to allot the aboriginal bisected of 2017 to touring and again about-face the focus to songwriting, with the ambition of recording in December. However, a afflictive amplitude of contest began four canicule afterwards Admiral Trump’s January inauguration, aback Butch Trucks took his own life. Hampton anesthetized abroad on May 1 and Gregg Allman succumbed to alarmist blight on May 27. Calamity again followed in backward June aback Kofi Burbridge suffered a amore attack, which apprenticed emergency anaplasty and alone him until October. (Carey Frank affected keyboard duties in Burbridge’s absence.) [Editor’s Note: On February 15, 2019 Burbridge anesthetized abroad at age 57, as a aftereffect of complications from his advancing cardiac issue.]

Mike Mattison describes the amore during the months above-mentioned the antecedent recording sessions as “pretty bleak.” He adds, “There were a lot of deaths in the family—whether that was absolute ancestors or continued agreeable family—and things aloof got affectionate of crazy.”

When the bandage alternate to Swamp Raga Studio—which is anchored on Tedeschi and Trucks’ acreage and breadth the accumulation recorded its three above-mentioned albums—they accomplished article of a ritual cleanse. Mattison recalls, “We absolutely rearranged the flat setup. We were all acclimated to actuality in our little bend or hole, so we aloof reorganized the room. We absolutely put a new covering of acrylic on the accomplished flat and rewired the boards, thinking, ‘Let’s accomplish it like affective into a new apartment.’ That helped accord everybody’s active a hardly altered amplitude so it wasn’t the aforementioned old, aforementioned old.”

This acclimate helped acclimatize their aggregate outlook, decidedly as the accumulation alternate for the aggregate of the tracking in March. Ultimately, the absolute alleged for the anthology reflected TTB’s longstanding ethos. Trucks explains, “We don’t accomplish music to feel bad; we accomplish it to get things off our chest. So aback we do go through things, a lot of time that strengthens what it’s all about. You additionally appear to apprehend that, no amount how bad article you’re activity through is, you’re not the aboriginal or the aftermost to accord with it. Bodies absolutely are ambidextrous with abundant worse. We try to accumulate that in mind.”

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One can apprehend this affect on the album’s aperture track, “Signs, High Times,” a unified alarm to action, in which the band’s four choir allotment advance duties while proclaiming that the time has accustomed for individuals to abandon their apathy and languor. The clamorous, active music feels amoebic and familiar, which it should, as the bandage reworked “Satie Groove,” abacus vim and ability to a slow-grooving active that appears as a benefit clue on Let Me Get By.

There is a crackling activity to a cardinal of the compositions on Signs that emerged from date improvisations. “It’s funny how abounding songs accept appear out of the jam breadth of ‘Bound for Glory,’” Lefebvre says in advertence to “Walk Through This,” a tune that Trucks’ longtime ABB bandmate Warren Haynes helped abode afterwards audition an amorphous adaptation during a appointment to Jacksonville. (Haynes alike contributed some abetment vocals aback Trucks bent “there was article about that Warren/mountain/ North Carolina accord on the admirers he beatific us that we bare in there.”)

“Shame,” which originated with a Lefebvre attract during “Let Me Get By,” carries the best absolute political overtones on the record, although the lyrics are advancing abundant to abode their claimed failings as well. The song bliss off as Tedeschi intones, “Shame, there’s adulteration in the well/ Shame, you apperceive we can’t unring the bell.” She admits, “There are cities that don’t alike accept apple-pie water, and advance contagion is causing defects in children. We accept the technology, assets and acquaintance in this country, so why is this? I don’t apperceive if it’s benightedness or acquisitiveness but it’s shameful; we can do better. I become balked aback bodies don’t apprehend we’re all connected.”

Trucks adds, “We can’t advice but abode about the things that beggarly article to us. There’s addition tune we recorded, ‘High and Mighty,’ that’s a bit like ‘Shame’ and will apparently appear out for Almanac Store Day or as a benefit track. We don’t appetite to deliver too much—we don’t appetite to deliver to the choir and we don’t appetite to bang over people’s heads. But there are assertive accommodation that are appealing universal, and sometimes bodies balloon breadth they angle on things that are obvious. I additionally anticipate there’s abundant abashment to go about these days.”

An altogether altered vibe emanates from the black Tedeschi aboriginal “When Will I Begin,” which came calm afterwards Trucks appropriate she amalgamate two of her songs that he addendum “were both absolutely good, but I kept accepting this activity that, if we put them together, it’d be amazing.” He characterizes the result, which incorporates a cord breadth abiding by Kofi Burbridge, as “one of my favorites on the record.”

“When Will I Begin” opens with the angel of addition afflicted by paperwork, which Tedeschi reveals, “really did appear to me. I was sitting in my appointment amidst by taxes, mail, aloof stuff, and I was cerebration about how abounding bodies accept the aforementioned stuff. It could be medical bills that they’re inundated with, it could be annulment papers, but it’s befitting them from active their lives and adequate the moment.” Despite this access point, the song is not bare of hope, as the narrator acknowledges, “it’s not too backward to alpha anew.”

The two songs that Tedeschi names as her favorites on Signs were both accounting by Mattison. “They Don’t Shine” is a rocker that builds to a activation outro afterward the lines, “Now the ball is over/ The tragedy is done/ You got my eyes burning/ Like honey in the sun,” afore a blissful acknowledgment that “They don’t flash aloof for anyone.” Tedeschi raves, “I adulation that idea. Aback you’re in love, your eyes are animated for somebody; they don’t flash like that for anybody.” “That was a song I hadn’t advised for TTB,” Mattison reveals. “TTB is a bedrock band, but the absolute focus is on dejection and jazz. To me, this is our aboriginal attack into beeline bedrock or at atomic bedrock from a altered abiogenetic strain. That song is erect Chuck Berry via the Stones, which doesn’t absolutely get into our apple a lot. I’m animated we did it. It was fun to booty a able at article off the baffled path.”

“Strengthen What Remains,” which Tedeschi lauds as a “deep, admirable tune,” is the fifth of the 11 advance on Signs. Trucks maintains, “There’s some acceptable air on the record. Aback you get to ‘Strengthen What Remains,’ the drums are gone, the bass is cocked and there is an acoustic guitar. The flutes are abandoned and the strings that Kofi wrote are aloof gorgeous. That’s one of my admired moments. For me, it was about the anthology title—‘Strengthen What Remains’—because it sums up the accomplished thing. You’ve got to accumulate activity with what you’ve got.”

Signs concludes with “The Ending,” a song that is article of an anomaly, which is applicable because it memorializes addition who active his own altered amplitude in the world. Tedeschi, Trucks and Oliver Wood wrote and recorded the tune as a leash in accolade to Col. Bruce Hampton.

Tedeschi explains, “This isn’t a song we approved to abode for this almanac or any record; this is a song that came about because Oliver, Derek and I accept all accepted Colonel aback the late-‘80s or early-‘90s. We all knew him separately—he absolutely pulled us all together—and we were all there aback he passed. He afflicted our lives significantly, and we adulation him to no end. We bare to alleviate afterwards that. It was a absolute difficult affair to process.

“Oliver came to our house, told us he had started autograph a tune and asked us to advice him,” she continues. “One of the curve I wrote was article Derek said that night, which was, ‘The aperture opened up and he absolved appropriate through.’ We approved to anticipate about what had happened and use absolute moments. I bethink him actuality onstage and saying, ‘I gotta go. It’s time to go,’ and he kept pointing to his watch. I was like, ‘Where you going? Don’t go!’ I was in the average of singing, and he left. Aback he came aback out, I couldn’t absolutely see what was accident but I could acquaint article was up because the vibe changed. Already we all absolutely accomplished what was happening, it was a shock. I anticipate he had accomplished us to anticipate he was faking.

“The lyrics aback the adorableness of who he is and was and how he confused all of us. You ability not accept aggregate he said but he was authentic joy, authentic truth. He never had an agenda. The music was real—he was inspired—and we were all confused by him and advantageous to apperceive him. He afflicted our lives, so we capital to alleviate and allocution about the adorableness that is Colonel. It’s not declared to be a sad song, but it is because he’s gone now; although, he’ll consistently be animate aural all of us. The three of us admired him so much.”

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A band’s final actualization of the year can accommodate an befalling for reflection. Beyond commutual a new record, 2018 offered a cardinal of added agreeable zeniths for the Tedeschi Trucks Band.

Trucks credibility to the group’s fourth anniversary Wheels of Soul Tour, in which the ensemble hit amphitheaters with The Marcus King Bandage and Drive-By Truckers. (The accident will acknowledgment in 2019 with Blackberry Smoke and Shovels & Rope.) He remarks, “It was a lot of fun actuality out there and seeing Marcus advancing into his own—you could feel that momentum. This additionally was the aboriginal year that we took a bandage out that we didn’t accept a continued affiliation with: Drive-By Truckers. There was some blowback from assertive genitalia of the admirers for whatever reason, but I don’t apperception afraid it up a little bit. Sometimes a little abashing is nice. [Mike] Cooley and Patterson [Hood] are aloof acceptable bodies and cool intelligent. Their tunes apprehend article of you. It’s a altered feel. I’m animated we did it. I absolutely enjoyed abutting with those guys.”

He additionally singles out LOCKN’, breadth the bandage performed over two days, including a Sunday set that featured a memorable bedfellow actualization by Branford Marsalis. “Branford acclimated to appear out with DTB and sit in at the Visulite [Theatre in Charlotte],” Trucks recollects. “He was with us for some of the best moments we had. At LOCKN’, we ran into him on the way to the stage. He came out of the van and was like, ‘I heard you guys were playing. I had to get bottomward early.’ So I told him: ‘Well, if you accept the time, appear on up.’ It was absolutely activation of the moment. I didn’t apprehend that Branford was the guy who fabricated Kebbi appetite to ball in the aboriginal place. So that became a absolute hero affectionate of moment. I don’t apperceive if I’ve anytime apparent Kebbi as blessed in his life. He alleged me two canicule afterwards to say, ‘Man, I’m so animated that happened.’ He was still beaming. Both those shows were highlights of the year.”

As for the group’s anniversary Beacon Theatre abatement address in New York, Trucks comments, “We formed adamantine on that run. It’s been a continued few years. We assorted the setlist a ton and we absolutely approved to dig in. Everyone was bashed afterwards that run. It took article out of us, in a acceptable sense.”

All told, the Tedeschi Trucks Bandage had absolutely becoming the appropriate to some R&R afterward the final date in Boston on December 1 afore abiding to the alley in mid-January. However, those best-laid affairs went awry, afterward the contempo accommodation by Lefebvre to allotment from the accumulation afterwards a five-year-stint. The bassist, who affiliated singer-songwriter Rachel Eckroth on November 24, is abrogation on accordant terms. He produced Eckroth’s latest album When It Falls, which came out in the fall, and will booty on added endeavors in that capacity. He will additionally gig with added projects, including some dates featuring abounding of the accompany and colleagues he abutting in the flat for David Bowie’s final album, Blackstar.

This is not the aboriginal time that the TTB bass position has been in flux. Oteil Burbridge originated the aperture afore giving way to a alternation of added players who preceded Lefebvre. His abandonment will accommodate the bandage with addition befalling to reexamine this aspect of its sound.

Lefebvre offers, “With 12 musicians, you’ve got to carve your role out and abstain accepting in the way but, at the aforementioned time, aback you’re improvising, you’ve got to be the catalyst and advice move things along. You’ve got to anticipate about a agglomeration of things at once, and there are two drummers, so you accept to apply on that also. It’s arduous but it’s so abundant fun.”

At the abutting of the final Orpheum show, Tedeschi gestured to Lefebvre and mentioned his contempo alliance but didn’t absolutely go so far as to advertise his departure. She explains, “Derek and Falcon were aggravating to get me to say article like, ‘Tim is demography off from the bandage to accompany a abbey and is activity to be chaste for eight years.’ They capital me to say article jokingly but I aloof couldn’t do that, alike admitting it would accept been done with affection. I adulation him and I’m gonna absence him a lot. I anticipate he was absolutely abundant for this band. It’s amazing that we had him out on the alley for bristles years. He’s a absolute creative, aesthetic guy with a lot of things to action but he’s not somebody who brand to bout a lot. This bandage isn’t for everybody. It can be acute and demanding. You’ve got to be all in; you’ve got to be a lifer.”

Trucks echoes this affect in adding, “Tim’s a badass free-agent mercenary. He wants to try aggregate all the time and that’s awesome. He beatific the bandage in a lot of admonition that we contrarily wouldn’t accept gone, and we accept to be beholden for that. It’s adamantine traveling as abundant as we do. We’re in bound abode and there’re a lot of us. Two bout buses sounds like a lot of space, but there are 20-something of us on the road. I’m a lifer; I don’t alike anticipate about it, but not everybody’s congenital for that. We’re not kids. I don’t apperceive a lot of bodies in their 40s or 50s who are all accumulated up calm all the time.”

When asked whether he anytime longs to acknowledgment to a less-congested environment, with a admixture such as the five-piece Derek Trucks Band, he responds, “I’ll sit in with added people, but I don’t generally get onstage with this accumulation and go, ‘I abiding ambition it was beneath powerful; I abiding ambition I was accomplishing something less good.’”

Trucks action and again says of his accessible plans: “I had been aflame to accept a few weeks to relax and booty walks in the woods, but we’re activity to be accomplishing article else. So let’s get aback to work.”

Please adore this affection amore from our Oct/Nov Issue. Relix will accord $5 from anniversary cable to The Waterwheel Foundation’s Divided Sky Fund

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